Andante sostenuto (Sonata 6, mvt. 2)
from Sonata 6 (Op. 65) by Felix Mendelssohn
Background
"Mendelssohn was one of the finest organists of his day. The Three Preludes and Fugues op.37, dedicated to Mozart's pupil Thomas Attwood, form a pendant to op.35. The Six Organ Sonatas op.65 (1845), teeming with artful fugues and chorales, summarize and epitomize Mendelssohn's rediscovery of Bach, and may have inspired Schumann's six fugues on B–A–C–H op.60." - Grove Music Online: "Mendelssohn, Felix, §10: Keyboard music" [1]
Visit the Wikipedia page on the Organ Works of Felix Mendelssohn for additional information - [2]
Registration and Organs
Mendelssohn gives registration instructions in his preface to Op. 65. In this movement, pp, p, mp and mf dynamics are indicated. Where the PEDALS are indicated my idea is, even in the PIANISSIMO, that the 8-foot and 16-foot stops should be combined, excepting only where the contrary is especially prescribed (see the sixth Sonata).
FORTISSIMO = full organ (grand jeu) PIANISSIMO = a soft 8-foot stop by itself FORTE = full organ without the admixture of any of the fullest stops PIANO = a combination of several 8-foot stops
See the footnote in the "Notes" section at the bottom of the page. [1]
Fingering and Pedaling
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Articulation and Phrasing
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Ornamentation
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Tempo and Meter
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Notes
- ↑ This footnote was entered in the "Registration and Organs" article.
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