Antonio de Cabezón

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Synopsis

Antonio de Cabezón (1510-1566) was a blind organist and composer. "Cabezón is ranked among the foremost keyboard performers and composers of his time. His music is rooted in the instrumental tradition of Spain and was composed for keyboard, plucked string instruments and ensembles (curiosos minestriles, ‘skilful minstrels’) that probably included string as well as wind players.....His compositions fall into four distinct groups and contribute to all the principal musical genres of the period. They include: (i) functional liturgical works including hymns, Kyrie verses, psalm settings, Magnificat settings and fabordones; (ii) free works (tientos); (iii) intabulations (canciones glosadas y motetes); and (iv) variations (discantes)."[1]


For additional details, see the Antonio de Cabezón article on Wikipedia.

List of Pieces

Background and General Perspectives on Performing Cabezón Organ Works

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Registration and Organs

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See the footnote in the "Notes" section at the bottom of the page[2]

Fingering and Pedaling

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Articulation and Phrasing

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Ornamentation

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Tempo and Meter

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Scores and Editions

IMSLP [1] has several scores of various keyboard works. They include tientos, diferencias, and fabordons.

Recordings

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Free Online

Diferencias Sobre el Canto de Caballero[2]
Diferencias Sobre "Guárdame Las Vacas"[3]

Pay to Listen

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Other Resources

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Notes

  1. Oxford Music Online, http://www.oxfordmusiconline.com.erl.lib.byu.edu/subscriber/article/grove/music/04511pg1?q=antonio+de+cabezon&search=quick&pos=1&_start=1#firsthit, accessed 16 January 2015.
  2. This footnote was entered in the "Registration and Organs" article

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