Arthur Honegger: Difference between revisions

From Organ Playing Wiki
Jump to navigationJump to search
Line 38: Line 38:


"He developed unusual musical and dramatic forms in large-scale works for voices and orchestra, and was one of the 20th century's most dedicated contrapuntists, with a clear indebtedness to Bach. His language is essentially tonal but characterized by a highly individual use of dissonance. Despite his admiration for Debussy and Ravel, his music is often rugged and uncompromising."
"He developed unusual musical and dramatic forms in large-scale works for voices and orchestra, and was one of the 20th century's most dedicated contrapuntists, with a clear indebtedness to Bach. His language is essentially tonal but characterized by a highly individual use of dissonance. Despite his admiration for Debussy and Ravel, his music is often rugged and uncompromising."
"His student works sometimes display a striking indebtedness to Debussy and Ravel, but he soon found a more individual language."
"[Honegger's] musical language is fundamentally tonal and strongly characterized by qualities of unity and coherence. There is a stylistic eclecticism... with allusions ranging from Gregorian chant and Protestant hymns to jazz, but Honegger's frequent use of complex polyphony, and his consistent attention to architectural proportion and structure are constant reminders both of the unusually long time he spent on technical study and his aversion to compositional experimentation."
And from Wikipedia:
"The principal elements of Honegger's style are: Bachian counterpoint, driving rhythms, melodic amplitude, highly coloristic harmonies, an impressionistic use of orchestral sonorities, and a concern for formal architecture. His style is weightier and more solemn than that of his colleagues in Les Six."


==Registration and Organs==
==Registration and Organs==

Revision as of 05:11, 6 October 2014

Synopsis

French-Swiss composer

  • 1892 born in Le Havre, France to Swiss parents.
  • ?year of event? ?city of event? ?short description of event?
  • ?year of event? ?city of event? ?short description of event?
  • ?year of death? died in ?city of death?

For details, see the Wikipedia article on Arthur Honegger [1].

Oxford Music Online biography of Arthur Honegger: http://www.oxfordmusiconline.com.erl.lib.byu.edu/subscriber/article/grove/music/13298?q=arthur+Honegger&search=quick&pos=1&_start=1#firsthit

List of Organ Works

Click to sort by opus number, title, or year of composition or publication
Opus Title Year
Op. ?? Title year
Op. ?? Title year
Op. ?? Title year
Op. ?? Title year
Op. ?? Title year
Op. ?? Title year
Op. ?? Title year

Background and General Perspectives on Performing These Organ Works

From Oxford Music Online:

"He developed unusual musical and dramatic forms in large-scale works for voices and orchestra, and was one of the 20th century's most dedicated contrapuntists, with a clear indebtedness to Bach. His language is essentially tonal but characterized by a highly individual use of dissonance. Despite his admiration for Debussy and Ravel, his music is often rugged and uncompromising."

"His student works sometimes display a striking indebtedness to Debussy and Ravel, but he soon found a more individual language."

"[Honegger's] musical language is fundamentally tonal and strongly characterized by qualities of unity and coherence. There is a stylistic eclecticism... with allusions ranging from Gregorian chant and Protestant hymns to jazz, but Honegger's frequent use of complex polyphony, and his consistent attention to architectural proportion and structure are constant reminders both of the unusually long time he spent on technical study and his aversion to compositional experimentation."

And from Wikipedia:

"The principal elements of Honegger's style are: Bachian counterpoint, driving rhythms, melodic amplitude, highly coloristic harmonies, an impressionistic use of orchestral sonorities, and a concern for formal architecture. His style is weightier and more solemn than that of his colleagues in Les Six."

Registration and Organs

Replace this text with information on registration and organs that might be applicable to the whole set of pieces

See the footnote in the "Notes" section at the bottom of the page[1]

Fingering and Pedaling

Replace this text with information on fingering and pedaling that might be applicable to the whole set of pieces

Articulation and Phrasing

Replace this text with information on articulation and phrasing that might be applicable to the whole set of pieces

Ornamentation

Replace this text with information on ornamentation that might be applicable to the whole set of pieces

Tempo and Meter

Replace this text with information on tempo and meter that might be applicable to the whole set of pieces

Scores and Editions

Replace this text with information on scores and editions that might be applicable to the whole set of pieces

Recordings

Replace this text with information on recordings

Free Online

Replace this text with information on online recordings that are available free

Pay to Listen

Replace this text with information on online recordings that are available for a fee

Other Resources

Replace this text with information on other resources that might be pertinent to performing these pieces

Notes

  1. This footnote was entered in the "Registration and Organs" section

This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.