Berceuse: Difference between revisions
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from [[Vingt-quatre Pièces en style libre]] by [[Louis Vierne]] | from [[Vingt-quatre Pièces en style libre]] by [[Louis Vierne]] | ||
==Background== | |||
Dedicated to á ma fille Colette. | |||
The ''Berceuse'' is one of three of the twenty-four pieces that Vierne performed most frequently. This includes performance of it in a 1927 tour in America.<ref>Rollin Smith, Louis Vierne: Organist of Notre Dame Cathedral, 533. The Complete Organ No. 3. Hillsdale, New York: Pendragon Press, 1999.</ref> | |||
A Major | |||
3 pages | |||
==Registration and Organs== | ==Registration and Organs== | ||
G. Flute 8' | |||
R. Gambe et voix celeste | |||
'' | Ped. Bourdons 16', 8' | ||
Claviers accouplés. | |||
Score contains a harmonium registration note. | |||
==Fingering and Pedaling== | ==Fingering and Pedaling== | ||
Majority of the piece has pedaling | |||
Pages 1 and 3 have significant expression pedal | |||
==Articulation and Phrasing== | ==Articulation and Phrasing== | ||
"Legato playing is best suited to the organ for, by the very nature of the instrument, the evenness of all notes in the same register quite naturally calls for precisely connecting these notes one after the other."<ref>Louis Vierne,"Renseignements Généraux pour l'Interpretation de l'CEuvre d'Orgue de J.S. Bach," ''CEuvres pour ORgue de Bach'' (Paris: Éditions Maurice Senart, 1924) v.</ref> | |||
Vierne stressed to make certain that the inner voices are legato and that the pedal be played legato as well. He advised "playing the black keys 'on the very edge to facilitate, when practical, sliding onto the naturals.'"<ref>Rollin Smith, Louis Vierne: Organist of Notre Dame Cathedral, 571. The Complete Organ No. 3. Hillsdale, New York: Pendragon Press, 1999.</ref> | |||
==Ornamentation== | ==Ornamentation== | ||
| Line 20: | Line 29: | ||
==Tempo and Meter== | ==Tempo and Meter== | ||
2/4, Andantino, quarter note = 52 | |||
==Scores and Editions== | ==Scores and Editions== | ||
Latest revision as of 00:21, 28 February 2015
from Vingt-quatre Pièces en style libre by Louis Vierne
Background
Dedicated to á ma fille Colette.
The Berceuse is one of three of the twenty-four pieces that Vierne performed most frequently. This includes performance of it in a 1927 tour in America.[1]
A Major 3 pages
Registration and Organs
G. Flute 8' R. Gambe et voix celeste Ped. Bourdons 16', 8' Claviers accouplés. Score contains a harmonium registration note.
Fingering and Pedaling
Majority of the piece has pedaling Pages 1 and 3 have significant expression pedal
Articulation and Phrasing
"Legato playing is best suited to the organ for, by the very nature of the instrument, the evenness of all notes in the same register quite naturally calls for precisely connecting these notes one after the other."[2]
Vierne stressed to make certain that the inner voices are legato and that the pedal be played legato as well. He advised "playing the black keys 'on the very edge to facilitate, when practical, sliding onto the naturals.'"[3]
Ornamentation
Replace this text with any specific information on ornamentation
Tempo and Meter
2/4, Andantino, quarter note = 52
Scores and Editions
Replace this text with any specific information on scores and editions
Recordings
Replace this text with any specific information on recordings
Free Online
Replace this text with any specific information on online recordings that are available free
Pay to Listen
Replace this text with any specific information on online recordings that are available for a fee
Other Resources
Replace this text with any information on other resources pertinent to performing these works
Notes
- ↑ Rollin Smith, Louis Vierne: Organist of Notre Dame Cathedral, 533. The Complete Organ No. 3. Hillsdale, New York: Pendragon Press, 1999.
- ↑ Louis Vierne,"Renseignements Généraux pour l'Interpretation de l'CEuvre d'Orgue de J.S. Bach," CEuvres pour ORgue de Bach (Paris: Éditions Maurice Senart, 1924) v.
- ↑ Rollin Smith, Louis Vierne: Organist of Notre Dame Cathedral, 571. The Complete Organ No. 3. Hillsdale, New York: Pendragon Press, 1999.
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