Epitaphe: Difference between revisions

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==Articulation and Phrasing==
==Articulation and Phrasing==
Replace this text with any specific information on articulation and phrasing
"Legato playing is best suited to the organ for, by the very nature of the instrument, the evenness of all notes in the same register quite naturally calls for precisely connecting these notes one after the other."<ref>Louis Vierne,"Renseignements Généraux pour l'Interpretation de l'CEuvre d'Orgue de J.S. Bach," ''CEuvres pour ORgue de Bach'' (Paris: Éditions Maurice Senart, 1924) v.</ref>
 
 
Vierne stressed to make certain that the inner voices are legato and that the pedal be played legato as well.  He advised "playing the black keys 'on the very edge to facilitate, when practical, sliding onto the naturals.'"<ref>Rollin Smith, Louis Vierne: Organist of Notre Dame Cathedral, 571. The Complete Organ No. 3. Hillsdale, New York: Pendragon Press, 1999.</ref>


==Ornamentation==
==Ornamentation==

Revision as of 06:00, 20 March 2014

from Vingt-quatre Pièces en style libre by Louis Vierne

Background

In memory of Alphonse Schmitt.

 C-sharp Minor
 3 pages
 3-4 voice texture

Registration and Organs

 G. Flute 8'
 R. Gambe 8, Bourdon 8'
 Ped. Bourdon 16', 8'
 Claviers accouplés. Tirasses. Recit.

Harmonium registration is also indicated on the score.

See the footnote in the "Notes" section at the bottom of the page. [1]

Fingering and Pedaling

 Pedals used in about one-fourth of the piece
 Manuals only for about three-fourths of the piece
 A lot of expression pedal used

Articulation and Phrasing

"Legato playing is best suited to the organ for, by the very nature of the instrument, the evenness of all notes in the same register quite naturally calls for precisely connecting these notes one after the other."[2]


Vierne stressed to make certain that the inner voices are legato and that the pedal be played legato as well. He advised "playing the black keys 'on the very edge to facilitate, when practical, sliding onto the naturals.'"[3]

Ornamentation

Replace this text with any specific information on ornamentation

Tempo and Meter

 4/4, Lento, quarter note = 44

Scores and Editions

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Recordings

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Free Online

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Pay to Listen

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Other Resources

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Notes

  1. This footnote was entered in the "Registration and Organs" article.
  2. Louis Vierne,"Renseignements Généraux pour l'Interpretation de l'CEuvre d'Orgue de J.S. Bach," CEuvres pour ORgue de Bach (Paris: Éditions Maurice Senart, 1924) v.
  3. Rollin Smith, Louis Vierne: Organist of Notre Dame Cathedral, 571. The Complete Organ No. 3. Hillsdale, New York: Pendragon Press, 1999.

This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.