Flor Peeters: Difference between revisions

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==Synopsis==
==Synopsis==
Flemish organist, composer, and teacher
Belgian composer, organist and teacher
* 1903 born in Tielen, Belgium, just over the border from the Netherlands.
* 1919 began study at the Lemmens Institute.
* 1923 became a professor at the Lemmens Institute.
* 1923 he also became chief organist at St. Rumbold's Cathedral in Mechelen, a position he held for most of the rest of his life.
* 1931–48 became professor of organ at the Ghent Conservatory.
* 1935–48 professor of organ and composition at the Tilburg Conservatory in the Netherlands.
* 1948 to 1968 organ professor at the Antwerp Conservatory.
* 1952-1968 director of the Antwerp Conservatory.
* 1986 died in Mechelen, Belgium.


For details, see the http://en.wikipedia.org/wiki/Flor_Peeters Wikipedia article on Flor Peeters].
Peters wrote an enormous number of chorale preludes, around 322 in total. He is also well-known for his pedagogical method, Ars Organi. He was a prolific composer, and was well-known also as a performer and pedagogue, making frequent tours to perform and to conduct master classes. Some of his most famous works are listed below.
 
For details, see the [http://en.wikipedia.org/wiki/Flor_Peeters Wikipedia article on Flor Peeters].


==List of Organ Works==
==List of Organ Works==
Line 13: Line 24:
! scope="col" | Year
! scope="col" | Year
|-
|-
| Op. ?? || [[Title]] || year
| Op. 20 || [[Variaties en finale on a Flemish lied]] || 1929
|-
| Op. 28 || [[Toccata, fuga en hymne op Ave maris stella]] || 1933 
|-
|-
| Op. ?? || [[Title]] || year
| Op. 52a || [[Concert Piece]] || 1944
|-
|-
| Op. ?? || [[Title]] || year
| Op. 55 || [[35 Miniatures for Organ]] || 1947
|-
|-
| Op. ?? || [[Title]] || year
| Op. 66 || [[Lied Symphony]] || 1948
|-
|-
| Op. ?? || [[Title]] || year
| Op. 95 || [[Thirty Short Preludes on Well-Known Hymns]] || 1960 
|-
|-
| Op. ?? || [[Title]] || year
| Op. 100 || [[Hymn Preludes for the Liturgical Year]] || 1966
|-
|-
| Op. ?? || [[Title]] || year  
| Op. ?? || [[Title]] || year  
|}
|}


==''General Perspectives on Performing These Organ Works''==
==Background and General Perspectives on Performing These Organ Works==
''(For comments on a specific piece or genre, use the "List of Organ Works" above to navigate to that page.)''
From Wikipedia:


Replace this text with any general perspectives that do not fit under the categories listed below
"Peeters studied Renaissance music, particularly of the school of Flemish polyphony. This style was also absorbed into his music."
 
"Peeters showed an interest in twentieth century tonal composition techniques such as polyrhythms and polytonality."
 
From Oxford Music Online:
 
"highly individual style...His fluent melodic line is influenced by Gregorian chant, Flemish Renaissance polyphony and often by Flemish folk themes."
 
"Peeters’s works are characterized by a preference for classical forms...great skill in handling miniature form."
 
"He frequently experimented with polyrhythm, polytonality and complex contrapuntal devices"
 
"Typical of the longer works is the contrast of vigorous, contrapuntal, rhythmic outer sections with subdued, contemplative material for the second subject where the influence of plainchant and folksong is discernible in the melodic shape."


==Registration and Organs==
==Registration and Organs==
Replace this text any specific information on registration and organs
Replace this text with information on registration and organs that might be applicable to the whole set of pieces


''See the footnote in the "Notes" section at the bottom of the page. <ref>This footnote was entered in the "Registration and Organs" article</ref>''
''See the footnote in the "Notes" section at the bottom of the page<ref>This footnote was entered in the "Registration and Organs" section</ref>''


==Fingering and Pedaling==
==Fingering and Pedaling==
Replace this text with any specific information on fingering and pedaling
Replace this text with information on fingering and pedaling that might be applicable to the whole set of pieces


==Articulation and Phrasing==
==Articulation and Phrasing==
Replace this text with any specific information on articulation and phrasing
Replace this text with information on articulation and phrasing that might be applicable to the whole set of pieces


==Ornamentation==
==Ornamentation==
Replace this text with any specific information on ornamentation
Replace this text with information on ornamentation that might be applicable to the whole set of pieces


==Tempo and Meter==
==Tempo and Meter==
Replace this text with any specific information on tempo and meter
Replace this text with information on tempo and meter that might be applicable to the whole set of pieces


==Scores and Editions==
==Scores and Editions==
Replace this text with any specific information on scores and editions
Replace this text with information on scores and editions that might be applicable to the whole set of pieces


==Recordings==
==Recordings==
Replace this text with any specific information on recordings
Replace this text with information on recordings


===Free Online===
===Free Online===
Replace this text with any specific information on online recordings that are available free
Lied Symphony, Opus 66: https://www.youtube.com/watch?v=AjLcnH_cOAw
 
Concert Piece, Opus 52a: https://www.youtube.com/watch?v=CBuImoRKzGo


===Pay to Listen===
===Pay to Listen===
Replace this text with any specific information on online recordings that are available for a fee
Replace this text with information on online recordings that are available for a fee


==Other Resources==
==Other Resources==
Replace this text with any information on other resources pertinent to performing these works
Replace this text with information on other resources that might be pertinent to performing these pieces


==Notes==
==Notes==
<references/>
<references/>
''This space is for automatic insertion of footnotes.  To enter a footnote from anywhere in the article, start by typing the tag <nowiki><ref> and then enter the text, and type the tag </ref></nowiki> to end the footnote. The footnote will then appear in this "Notes" section automatically.''
''This space is for automatic insertion of footnotes.  To enter a footnote from anywhere in the article, start by typing the tag <nowiki><ref> and then enter the text, and type the tag </ref></nowiki> to end the footnote. The footnote will then appear in this "Notes" section automatically.''

Latest revision as of 13:48, 24 November 2014

Synopsis

Belgian composer, organist and teacher

  • 1903 born in Tielen, Belgium, just over the border from the Netherlands.
  • 1919 began study at the Lemmens Institute.
  • 1923 became a professor at the Lemmens Institute.
  • 1923 he also became chief organist at St. Rumbold's Cathedral in Mechelen, a position he held for most of the rest of his life.
  • 1931–48 became professor of organ at the Ghent Conservatory.
  • 1935–48 professor of organ and composition at the Tilburg Conservatory in the Netherlands.
  • 1948 to 1968 organ professor at the Antwerp Conservatory.
  • 1952-1968 director of the Antwerp Conservatory.
  • 1986 died in Mechelen, Belgium.

Peters wrote an enormous number of chorale preludes, around 322 in total. He is also well-known for his pedagogical method, Ars Organi. He was a prolific composer, and was well-known also as a performer and pedagogue, making frequent tours to perform and to conduct master classes. Some of his most famous works are listed below.

For details, see the Wikipedia article on Flor Peeters.

List of Organ Works

Click to sort by opus number, title, or year of composition or publication
Opus Title Year
Op. 20 Variaties en finale on a Flemish lied 1929
Op. 28 Toccata, fuga en hymne op Ave maris stella 1933
Op. 52a Concert Piece 1944
Op. 55 35 Miniatures for Organ 1947
Op. 66 Lied Symphony 1948
Op. 95 Thirty Short Preludes on Well-Known Hymns 1960
Op. 100 Hymn Preludes for the Liturgical Year 1966
Op. ?? Title year

Background and General Perspectives on Performing These Organ Works

From Wikipedia:

"Peeters studied Renaissance music, particularly of the school of Flemish polyphony. This style was also absorbed into his music."

"Peeters showed an interest in twentieth century tonal composition techniques such as polyrhythms and polytonality."

From Oxford Music Online:

"highly individual style...His fluent melodic line is influenced by Gregorian chant, Flemish Renaissance polyphony and often by Flemish folk themes."

"Peeters’s works are characterized by a preference for classical forms...great skill in handling miniature form."

"He frequently experimented with polyrhythm, polytonality and complex contrapuntal devices"

"Typical of the longer works is the contrast of vigorous, contrapuntal, rhythmic outer sections with subdued, contemplative material for the second subject where the influence of plainchant and folksong is discernible in the melodic shape."

Registration and Organs

Replace this text with information on registration and organs that might be applicable to the whole set of pieces

See the footnote in the "Notes" section at the bottom of the page[1]

Fingering and Pedaling

Replace this text with information on fingering and pedaling that might be applicable to the whole set of pieces

Articulation and Phrasing

Replace this text with information on articulation and phrasing that might be applicable to the whole set of pieces

Ornamentation

Replace this text with information on ornamentation that might be applicable to the whole set of pieces

Tempo and Meter

Replace this text with information on tempo and meter that might be applicable to the whole set of pieces

Scores and Editions

Replace this text with information on scores and editions that might be applicable to the whole set of pieces

Recordings

Replace this text with information on recordings

Free Online

Lied Symphony, Opus 66: https://www.youtube.com/watch?v=AjLcnH_cOAw

Concert Piece, Opus 52a: https://www.youtube.com/watch?v=CBuImoRKzGo

Pay to Listen

Replace this text with information on online recordings that are available for a fee

Other Resources

Replace this text with information on other resources that might be pertinent to performing these pieces

Notes

  1. This footnote was entered in the "Registration and Organs" section

This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.