Jean-Yves Daniel-Lesur: Difference between revisions

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==Synopsis==
==Synopsis==
French organist and composer
French organist and composer
* 1902 born in Paris to Alice Thiboust, who was a composer and pupil of Tournemire. She gave him his first composition and organ lessons.
* 1908 born in Paris to Alice Thiboust, who was a composer and pupil of Tournemire. She gave him his first composition and organ lessons.
* 1919–29 studied harmony, counterpoint, fugue, and piano at the Paris Conservatory.
* 1919–29 studied harmony, counterpoint, fugue, and piano at the Paris Conservatory.
* 1935 he was appointed professor of counterpoint at the Schola Cantorum, where he remained until 1964.
* 1935 he was appointed professor of counterpoint at the Schola Cantorum, where he remained until 1964.
* 1936 Daniel-Lesur was, with Messiaen, Jolivet and Baudrier, a founder-member of the group La Jeune France, dedicated to a ‘return to the human’ and opposed to the neo-classicism then prevailing in Paris. Messiaen remained a life-long friend.
* 1936 Daniel-Lesur was, with Messiaen, Jolivet and Baudrier, a founder-member of the group La Jeune France, dedicated to a ‘return to the human’ and opposed to the neo-classicism then prevailing in Paris. Messiaen remained a life-long friend.
* 1937-1944 organist of the Benedictine Abbey of Paris.
* 1937-1944 organist of the Benedictine Abbey of Paris.
* 1939 began "a long and varied association with French radio" (Oxford Music online).
* 1953 composed his most famous work, an a cappella choral work entitled "Le Cantique des Cantiques," a setting for 12 voices of parts of the Song of Songs, interspersed with Latin verses and New Testament texts.
* 1953 composed his most famous work, an a cappella choral work entitled "Le Cantique des Cantiques," a setting for 12 voices of parts of the Song of Songs, interspersed with Latin verses and New Testament texts.
* ?year of death? died in ?city of death?
* 2002 died in Paris.


For details, see the [http://en.wikipedia.org/wiki/?first_middle_last as listed in Wikipedia article?].
For details, see the wikipedia article [http://en.wikipedia.org/wiki/Jean-Yves_Daniel-Lesur].
 
A biography can be found at Oxford Music online: http://www.oxfordmusiconline.com.erl.lib.byu.edu/subscriber/article/grove/music/07175?q=Lesur&search=quick&pos=1&_start=1#firsthit


==List of Organ Works==
==List of Organ Works==

Latest revision as of 03:03, 11 October 2014

Synopsis

French organist and composer

  • 1908 born in Paris to Alice Thiboust, who was a composer and pupil of Tournemire. She gave him his first composition and organ lessons.
  • 1919–29 studied harmony, counterpoint, fugue, and piano at the Paris Conservatory.
  • 1935 he was appointed professor of counterpoint at the Schola Cantorum, where he remained until 1964.
  • 1936 Daniel-Lesur was, with Messiaen, Jolivet and Baudrier, a founder-member of the group La Jeune France, dedicated to a ‘return to the human’ and opposed to the neo-classicism then prevailing in Paris. Messiaen remained a life-long friend.
  • 1937-1944 organist of the Benedictine Abbey of Paris.
  • 1939 began "a long and varied association with French radio" (Oxford Music online).
  • 1953 composed his most famous work, an a cappella choral work entitled "Le Cantique des Cantiques," a setting for 12 voices of parts of the Song of Songs, interspersed with Latin verses and New Testament texts.
  • 2002 died in Paris.

For details, see the wikipedia article [1].

A biography can be found at Oxford Music online: http://www.oxfordmusiconline.com.erl.lib.byu.edu/subscriber/article/grove/music/07175?q=Lesur&search=quick&pos=1&_start=1#firsthit

List of Organ Works

Click to sort by opus number, title, or year of composition or publication
Opus Title Year
Op. ?? Scène de la Passion 1931
Op. ?? La vie intérieure 1932
Op. ?? Hymnes, volume 1 1935
Op. ?? Hymnes, volume 2 1937
Op. ?? Title year
Op. ?? Title year

Background and General Perspectives on Performing These Organ Works

From Oxford Music online:

"Daniel-Lesur’s music stands apart from that of his more famed contemporaries in La Jeune France, being more conventional in texture, rhythmically more regular, and more directly diatonic. Its modal shading probably comes less from his colleagues’ influence than from his respect for Tournemire and his interest in folk music."

Registration and Organs

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See the footnote in the "Notes" section at the bottom of the page[1]

Fingering and Pedaling

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Articulation and Phrasing

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Ornamentation

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Tempo and Meter

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Scores and Editions

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Recordings

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Free Online

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Pay to Listen

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Other Resources

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Notes

  1. This footnote was entered in the "Registration and Organs" section

This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.