Marcel Dupré: Difference between revisions

From Organ Playing Wiki
Jump to navigationJump to search
No edit summary
 
(31 intermediate revisions by 4 users not shown)
Line 2: Line 2:
French organist, composer, teacher, editor
French organist, composer, teacher, editor
* 1886 born in Rouen, France
* 1886 born in Rouen, France
* 1904 began formal study at the Paris Conservatory
* 1907 received first prize for Organ
* 1909 received first prize for Fugue
* 1920 performed over ten recitals, playing the complete organ works of Bach from memory
* 1926-1954 professor of organ performance and improvisation at Paris Conservatory
* 1926-1954 professor of organ performance and improvisation at Paris Conservatory
* 1934-1971 titular organist at Sainte-Sulpice in Paris
* 1934-1971 titular organist at Sainte-Sulpice in Paris
* 1971 died in Meudon, France  
* 1971 died in Meudon (Near Paris), France  
* A student of Guilmant, Vierne, and Widor
* Became famous as an improviser and composer in a French symphonic style
* Some of his most famous compositions began as concert improvisations
* He performed more than 2000 concerts, including ten tours in the United States
* "His organ technique was considered formidable in his day"<ref>Biographical information found prior to the preface in ''Dans la Gloire des Invalides,'' Wayne Leupold edition.</ref>


Dupré was born in 1886 to a family of musicians. He studied at the Paris Conservatoire and took first prize in three contests there – fugue, organ, and composition. He was the organist at St Sulpice from 1934 until his death in 1971, toured, and taught extensively in Europe and America.  
Biography
Many of Dupré’s own compositions have overt pedagogical purposes. For example, both the Tombeau de Titelouze and the 79 Chorales use chorale and chant tunes found in the works of other composers (Titelouze and JS Bach), and are meant to be introductions to that music.
 
Born in 1886 to a family of musicians, Marcel Dupré was immersed in music early in life. He was admitted to the Paris Conservatory in 1904, studying with Guilmant, Diémar, and Widor. He received first prize in three contests there – fugue, organ, and composition. In 1916 he was appointed interim organist at the great Notre Dame Cathedral. In 1926 he returned to his Alma Mater, this time as a professor of organ. He succeeded his former teacher Widor as the organist of St. Sulpice in 1934, where he remained until his death in 1971.
 
Throughout his life Dupré performed and taught extensively­, including ten concert tours to the United States. Dupre had an excellent memory, and in 1920 performed the complete works of Bach by memory in a ten-concert recital series.<ref>Rollin Smith, Louis Vierne: Organist of Notre Dame Cathedral, 161. The Complete Organ No. 3. Hillsdale, New York: Pendragon Press, 1999.</ref> He was even appointed General Director of the American Conservatory in 1947. Many of Dupré’s own compositions have overt pedagogical purposes. For example, both the Tombeau de Titelouze and the 79 Chorales use chorale and chant tunes found in the works of other composers (Titelouze and JS Bach), and are meant to be introductions to that music.
 
Dupré's compositions develop from his extraordinary improvisations. For example, his Symphonie-Passion was first improvised in 1921 on the Wanamaker organ in Philadelphia. It was not written down and performed until three years later, at the Westminster Cathedral. Dupré's compositions reflect the trend towards concert repertoire, rather than liturgical pieces.
 
Representative Works
 
*Preludes and fugues
*Organ Symphonies


For details, see the [http://en.wikipedia.org/wiki/Marcel_Dupre Wikipedia article on Marcel Dupré].
For details, see the [http://en.wikipedia.org/wiki/Marcel_Dupre Wikipedia article on Marcel Dupré].
Line 20: Line 39:
! scope="col" | Year
! scope="col" | Year
|-
|-
| Op. 38 || [[Le Tombeau de Titelouze]] || 1942
| || [[Prière en sol majeur (Prayer in G major]] || 1895
|-
| Op. 28 || [[79 Chorales]] || 1931
|-
| Op. 18 || [[15 Versets...]] || 1919
|-
|-
| Op. ?? || [[Prière en sol majeur (Prayer in G major]] || 1895
| || [[Fugue en ut majeur (Fugue in C major)]] || 1895  
|-
|-
| Op. ?? || [[Fugue en ut majeur (Fugue in C major)]] || 1895
| || [[Fugue en la mineur (Fugue in A minor)]] || 1901
|-
|-
| Op. ?? || [[Fugue en la mineur (Fugue in A minor)]] || 1901
| || [[Fugue en fa majeur (Fugue in F major)]] || 1900
|-
|-
| Op. ?? || [[Fugue en fa majeur (Fugue in F major)]] || 1900
| || [[Dans la Gloire des Invalides]] ||  
|-
|-
| Op. 7 || [[3 Préludes et fugues]] || 1912  
| Op. 7 || [[3 Préludes et fugues]] || 1912  
|-
|-
| Op. 16 || [[Scherzo en fa mineur]] || 1918  
| Op. 16 || [[Scherzo en fa mineur]] || 1918  
|-
| Op. 18 || [[15 Versets...]] || 1919
|-
|-
| Op. 19 || [[Cortège et litanie]] || 1921, 1923, 1925  
| Op. 19 || [[Cortège et litanie]] || 1921, 1923, 1925  
Line 51: Line 68:
|-
|-
| Op. 27 || [[7 Pièces]] || 1931
| Op. 27 || [[7 Pièces]] || 1931
|-
| Op. 28 || [[79 Chorales]] || 1931
|-
|-
| Op. 29 || [[Le Chemin de la croix, 14 Stations]] || 1931
| Op. 29 || [[Le Chemin de la croix, 14 Stations]] || 1931
Line 58: Line 77:
| Op. 34 || [[Angélus]] || 1936
| Op. 34 || [[Angélus]] || 1936
|-
|-
| Op. 37 || [[Évocation, Poème symphonique]] || 1941|}
| Op. 37 || [[Évocation, Poème symphonique]] || 1941
|-
| Op. 38 || [[Le Tombeau de Titelouze]] || 1942
|-
| Op. 39 || [[Suite en fa mineur]] || 1944
|-
| Op. 40 || [[Offrande à la Vierge]] || 1944
|-
| Op. 41 || [[3 Esquisses (3 Sketches)]] || 1945
|-
| Op. 43 || [[Paraphrase sur le Te Deum]] || 1945
|-
| Op. 44 || [[Vision, Poème symphonique]] || 1947
|-
| Op. 45 || [[8 Petits préludes sur des thèmes grégoriens]] || 1948
|-
| Op. 46 || [[Miserere Mei]] || 1948
|-
| || [[Variations sur «Il est né le divin Enfant», Offertoire]] || 1948
|-
| || [[Épithalame]] || 1948
|-
| Op. 47 || [[Psaume XVIII, Poème symphonique]] || 1949
|-
| Op. 48 || [[6 Antiennes pour le temps de Noël]] || 1952
|-
| Op. 50 || [[24 Inventions]] || 1956
|-
| Op. 51 || [[Triptyque]] || 1957
|-
| Op. 54 || [[Nymphéas]] || 1959
|-
| Op. 56 || [[Annonciation, 2 Méditations]] || 1961
|-
| Op. 57 || [[Choral et fugue]] || 1962
|-
| Op. 58 || [[3 Hymnes]] || 1963
|-
| Op. 59 || [[2 Chorales]] || 1963
|-
| Op. 61|| [[In Memoriam, 6 Pièces pour orgue «à ma fille» (Marguerite)]] || 1965
|-
| || [[Méditation (Dupré)|Méditation]] || 1966
|-
| Op. 62|| [[Entrée, Canzona et Sortie]] || 1967
|-
| Op. 63|| [[4 Fugues modales]] || 1968
|-
| Op. 64|| [[Regina coeli]] || 1969
|-
| Op. 65|| [[Le Vitrail de St. Ouen]] || 1969
|-
| Op. 65b|| [[Souvenir]] || 1965
|}


==Background and General Perspectives on Performing Dupré Organ Works==
==Background and General Perspectives on Performing Dupré Organ Works==
Replace this text with any general perspectives that do not fit under the categories listed below''(For comments on a specific piece or genre, use the list of pieces above to navigate to that page.)''
 
"Dupré's harmonic style was based upon early Twentieth-century common-practice harmonic style, with occasionally -added sixths and ninths that sometimes suggest elements of quartal harmonyHis harmonic progressions were enriched by a delightfully unpredictable angularity that continue to make his style sound fresh and inviting, and certianly distinctly late Twentieth-Century to today's listener."<ref>Biographical information found prior to the preface in ''Dans la Gloire des Invalides,'' Wayne Leupold edition.</ref>


==Registration and Organs==
==Registration and Organs==
Line 87: Line 160:


===Free Online===
===Free Online===
Replace this text with information on online recordings that are available free
* [http://youtu.be/V_fTJPF0xyg Prelude and Fugue in B Major (Op. 7 No. 1)] as performed by Daryl Robinson
* [http://youtu.be/OHVKVV1zsvk Antiphon III (Op. 18 No. 3)] as performed by Linda Margetts
* [http://youtu.be/gRcMtB27z7E Cortege et Litanie (Op. 19 No. 2)] as performed by Marcel Dupre
* [http://youtu.be/1EyWH7jrgZk Crucifixion from Symphonie-Passion (Op. 23 No. 3)] as performed by Marcel Dupre


===Pay to Listen===
===Pay to Listen===
Replace this text with information on online recordings that are available for a fee
* [http://byu.naxosmusiclibrary.com/catalogue/item.asp?cid=JAV161 The Stations of the Cross (Op. 29)] as performed by Stephen Tharp on NAXOS
* [http://byu.naxosmusiclibrary.com/catalogue/item.asp?cid=G-49240 Cortege et Litanie (Op. 19 No 4.) and Symphonie Passion (Op. 23)] as performed by Peter Richard Conte on NAXOS
* [http://byu.naxosmusiclibrary.com/catalogue/item.asp?cid=8.553922 Cortege et Litanie (Op 19 No. 2)] as performed by Daniel Jay McKinley and the Columbus Indiana Philharmonic, under the direction of David Bowden


==Other Resources==
==Other Resources==
Replace this text with information on other resources that might be pertinent to performing these pieces
"Marcel Dupre': The Man and His Music."  B. The Musical Times, Vol. 61, No. 934 (Dec. 1, 1920), pp. 814-816.
 
''Marcel Dupré, the work of a master organist.'' Murray, Michael 1943 March 19, Boston: Northeastern University Press, 1985, xxv, 259 p.: ill.; 25 cm., English. ML 416 .D83 M9 1985
 
''The organ works of Marcel Dupré.'' Steed, Graham.  Hillsdale, N.Y.: Pendragon Press, 1999, xviii, 271 p.: ill.; 24 cm., English. MT 145 .D76 S73 1999
 
''Recollections.'' Dupré, Marcel 1886-1971. Melville, N.Y.: Belwin-Mills Pub. Corp, 1975, xiv, 162 p.: ill.; 23 cm., English. ML 410 .D947 A33


==Notes==
==Notes==
<references/>
<references/>
''This space is for automatic insertion of footnotes.  To enter a footnote from anywhere in the article, start by typing the tag <nowiki><ref> and then enter the text, and type the tag </ref></nowiki> to end the footnote. The footnote will then appear in this "Notes" section automatically.''
''This space is for automatic insertion of footnotes.  To enter a footnote from anywhere in the article, start by typing the tag <nowiki><ref> and then enter the text, and type the tag </ref></nowiki> to end the footnote. The footnote will then appear in this "Notes" section automatically.''

Latest revision as of 19:38, 3 April 2017

Synopsis

French organist, composer, teacher, editor

  • 1886 born in Rouen, France
  • 1904 began formal study at the Paris Conservatory
  • 1907 received first prize for Organ
  • 1909 received first prize for Fugue
  • 1920 performed over ten recitals, playing the complete organ works of Bach from memory
  • 1926-1954 professor of organ performance and improvisation at Paris Conservatory
  • 1934-1971 titular organist at Sainte-Sulpice in Paris
  • 1971 died in Meudon (Near Paris), France
  • A student of Guilmant, Vierne, and Widor
  • Became famous as an improviser and composer in a French symphonic style
  • Some of his most famous compositions began as concert improvisations
  • He performed more than 2000 concerts, including ten tours in the United States
  • "His organ technique was considered formidable in his day"[1]

Biography

Born in 1886 to a family of musicians, Marcel Dupré was immersed in music early in life. He was admitted to the Paris Conservatory in 1904, studying with Guilmant, Diémar, and Widor. He received first prize in three contests there – fugue, organ, and composition. In 1916 he was appointed interim organist at the great Notre Dame Cathedral. In 1926 he returned to his Alma Mater, this time as a professor of organ. He succeeded his former teacher Widor as the organist of St. Sulpice in 1934, where he remained until his death in 1971.

Throughout his life Dupré performed and taught extensively­, including ten concert tours to the United States. Dupre had an excellent memory, and in 1920 performed the complete works of Bach by memory in a ten-concert recital series.[2] He was even appointed General Director of the American Conservatory in 1947. Many of Dupré’s own compositions have overt pedagogical purposes. For example, both the Tombeau de Titelouze and the 79 Chorales use chorale and chant tunes found in the works of other composers (Titelouze and JS Bach), and are meant to be introductions to that music.

Dupré's compositions develop from his extraordinary improvisations. For example, his Symphonie-Passion was first improvised in 1921 on the Wanamaker organ in Philadelphia. It was not written down and performed until three years later, at the Westminster Cathedral. Dupré's compositions reflect the trend towards concert repertoire, rather than liturgical pieces.

Representative Works

  • Preludes and fugues
  • Organ Symphonies

For details, see the Wikipedia article on Marcel Dupré.

List of Organ Works

Click to sort by opus number, title, or year of composition or publication
Opus Title Year
Prière en sol majeur (Prayer in G major 1895
Fugue en ut majeur (Fugue in C major) 1895
Fugue en la mineur (Fugue in A minor) 1901
Fugue en fa majeur (Fugue in F major) 1900
Dans la Gloire des Invalides
Op. 7 3 Préludes et fugues 1912
Op. 16 Scherzo en fa mineur 1918
Op. 18 15 Versets... 1919
Op. 19 Cortège et litanie 1921, 1923, 1925
Op. 20 Variations sur un Noël 1922
Op. 21 Suite Bretonne 1923
Op. 23 Symphonie-Passion 1924
Op. 24 Lamento in B♭ mineur 1926
Op. 26 Symphony No. 2 in C♯ minor 1929
Op. 27 7 Pièces 1931
Op. 28 79 Chorales 1931
Op. 29 Le Chemin de la croix, 14 Stations 1931
Op. 32 3 Élévations 1935
Op. 34 Angélus 1936
Op. 37 Évocation, Poème symphonique 1941
Op. 38 Le Tombeau de Titelouze 1942
Op. 39 Suite en fa mineur 1944
Op. 40 Offrande à la Vierge 1944
Op. 41 3 Esquisses (3 Sketches) 1945
Op. 43 Paraphrase sur le Te Deum 1945
Op. 44 Vision, Poème symphonique 1947
Op. 45 8 Petits préludes sur des thèmes grégoriens 1948
Op. 46 Miserere Mei 1948
Variations sur «Il est né le divin Enfant», Offertoire 1948
Épithalame 1948
Op. 47 Psaume XVIII, Poème symphonique 1949
Op. 48 6 Antiennes pour le temps de Noël 1952
Op. 50 24 Inventions 1956
Op. 51 Triptyque 1957
Op. 54 Nymphéas 1959
Op. 56 Annonciation, 2 Méditations 1961
Op. 57 Choral et fugue 1962
Op. 58 3 Hymnes 1963
Op. 59 2 Chorales 1963
Op. 61 In Memoriam, 6 Pièces pour orgue «à ma fille» (Marguerite) 1965
Méditation 1966
Op. 62 Entrée, Canzona et Sortie 1967
Op. 63 4 Fugues modales 1968
Op. 64 Regina coeli 1969
Op. 65 Le Vitrail de St. Ouen 1969
Op. 65b Souvenir 1965

Background and General Perspectives on Performing Dupré Organ Works

"Dupré's harmonic style was based upon early Twentieth-century common-practice harmonic style, with occasionally -added sixths and ninths that sometimes suggest elements of quartal harmony. His harmonic progressions were enriched by a delightfully unpredictable angularity that continue to make his style sound fresh and inviting, and certianly distinctly late Twentieth-Century to today's listener."[3]

Registration and Organs

Replace this text with information on registration and organs that might be applicable to the whole set of pieces

See the footnote in the "Notes" section at the bottom of the page. [4]

Fingering and Pedaling

Replace this text with information on fingering and pedaling that might be applicable to the whole set of pieces

Articulation and Phrasing

Replace this text with information on articulation and phrasing that might be applicable to the whole set of pieces

Ornamentation

Replace this text with information on ornamentation that might be applicable to the whole set of pieces

Tempo and Meter

Replace this text with information on tempo and meter that might be applicable to the whole set of pieces

Scores and Editions

Replace this text with information on scores and editions that might be applicable to the whole set of pieces

Recordings

Replace this text with information on recordings

Free Online

Pay to Listen

Other Resources

"Marcel Dupre': The Man and His Music." B. The Musical Times, Vol. 61, No. 934 (Dec. 1, 1920), pp. 814-816.

Marcel Dupré, the work of a master organist. Murray, Michael 1943 March 19, Boston: Northeastern University Press, 1985, xxv, 259 p.: ill.; 25 cm., English. ML 416 .D83 M9 1985

The organ works of Marcel Dupré. Steed, Graham. Hillsdale, N.Y.: Pendragon Press, 1999, xviii, 271 p.: ill.; 24 cm., English. MT 145 .D76 S73 1999

Recollections. Dupré, Marcel 1886-1971. Melville, N.Y.: Belwin-Mills Pub. Corp, 1975, xiv, 162 p.: ill.; 23 cm., English. ML 410 .D947 A33

Notes

  1. Biographical information found prior to the preface in Dans la Gloire des Invalides, Wayne Leupold edition.
  2. Rollin Smith, Louis Vierne: Organist of Notre Dame Cathedral, 161. The Complete Organ No. 3. Hillsdale, New York: Pendragon Press, 1999.
  3. Biographical information found prior to the preface in Dans la Gloire des Invalides, Wayne Leupold edition.
  4. This footnote was entered in the "Registration and Organs" article

This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.