Marche funèbre: Difference between revisions

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==Background==
==Background==
Replace this text with any general perspectives that do not fit under the categories listed below
In memory of Jules Bouval.
 
  G-sharp Minor
  6 pages


==Registration and Organs==
==Registration and Organs==
Replace this text any specific information on registration and organs
  G. Fonds 16', 8', 4', Anches préparées
 
  R. Fonds et Anches 16', 8', 4'
''See the footnote in the "Notes" section at the bottom of the page.'' <ref>This footnote was entered in the "Registration and Organs" article.</ref>
  Ped. Fonds 32', 16', 8', 4', Anches préparées
  Claviers accouplés. Tirasse R.


==Fingering and Pedaling==
==Fingering and Pedaling==
Replace this text with any specific information on fingering and pedaling
  Pedaling throughout
  Some sections alternate between pedal and manual in every measure, i.e., two beats pedal, two beats manual
  Minimal expression pedal


==Articulation and Phrasing==
==Articulation and Phrasing==
Replace this text with any specific information on articulation and phrasing
"Legato playing is best suited to the organ for, by the very nature of the instrument, the evenness of all notes in the same register quite naturally calls for precisely connecting these notes one after the other."<ref>Louis Vierne,"Renseignements Généraux pour l'Interpretation de l'CEuvre d'Orgue de J.S. Bach," ''CEuvres pour ORgue de Bach'' (Paris: Éditions Maurice Senart, 1924) v.</ref>
 
 
Vierne stressed to make certain that the inner voices are legato and that the pedal be played legato as well.  He advised "playing the black keys 'on the very edge to facilitate, when practical, sliding onto the naturals.'"<ref>Rollin Smith, Louis Vierne: Organist of Notre Dame Cathedral, 571. The Complete Organ No. 3. Hillsdale, New York: Pendragon Press, 1999.</ref>


==Ornamentation==
==Ornamentation==
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==Tempo and Meter==
==Tempo and Meter==
Replace this text with any specific information on tempo and meter
  4/4, Maestoso, quarter note = 50


==Scores and Editions==
==Scores and Editions==

Latest revision as of 00:20, 28 February 2015

from Vingt-quatre Pièces en style libre by Louis Vierne

Background

In memory of Jules Bouval.

 G-sharp Minor
 6 pages

Registration and Organs

 G. Fonds 16', 8', 4', Anches préparées
 R. Fonds et Anches 16', 8', 4'
 Ped. Fonds 32', 16', 8', 4', Anches préparées
 Claviers accouplés. Tirasse R.

Fingering and Pedaling

 Pedaling throughout
 Some sections alternate between pedal and manual in every measure, i.e., two beats pedal, two beats manual
 Minimal expression pedal

Articulation and Phrasing

"Legato playing is best suited to the organ for, by the very nature of the instrument, the evenness of all notes in the same register quite naturally calls for precisely connecting these notes one after the other."[1]


Vierne stressed to make certain that the inner voices are legato and that the pedal be played legato as well. He advised "playing the black keys 'on the very edge to facilitate, when practical, sliding onto the naturals.'"[2]

Ornamentation

Replace this text with any specific information on ornamentation

Tempo and Meter

 4/4, Maestoso, quarter note = 50

Scores and Editions

Replace this text with any specific information on scores and editions

Recordings

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Free Online

Replace this text with any specific information on online recordings that are available free

Pay to Listen

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Other Resources

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Notes

  1. Louis Vierne,"Renseignements Généraux pour l'Interpretation de l'CEuvre d'Orgue de J.S. Bach," CEuvres pour ORgue de Bach (Paris: Éditions Maurice Senart, 1924) v.
  2. Rollin Smith, Louis Vierne: Organist of Notre Dame Cathedral, 571. The Complete Organ No. 3. Hillsdale, New York: Pendragon Press, 1999.

This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.