Préambule: Difference between revisions

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==Articulation and Phrasing==
==Articulation and Phrasing==
Replace this text with any specific information on articulation and phrasing
"Legato playing is best suited to the organ for, by the very nature of the instrument, the evenness of all notes in the same register quite naturally calls for precisely connecting these notes one after the other."<ref>Louis Vierne,"Renseignements Généraux pour l'Interpretation de l'CEuvre d'Orgue de J.S. Bach," ''CEuvres pour ORgue de Bach'' (Paris: Éditions Maurice Senart, 1924) v.</ref>
 
 
Vierne stressed to make certain that the inner voices are legato and that the pedal be played legato as well.  He advised "playing the black keys 'on the very edge to facilitate, when practical, sliding onto the naturals.'"<ref>Rollin Smith, Louis Vierne: Organist of Notre Dame Cathedral, 571. The Complete Organ No. 3. Hillsdale, New York: Pendragon Press, 1999.</ref>


==Ornamentation==
==Ornamentation==
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==Tempo and Meter==
==Tempo and Meter==
   Moderato, dotted-quarter note = 48
   12/8, Moderato, dotted-quarter note = 48


==Scores and Editions==
==Scores and Editions==
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===Pay to Listen===
===Pay to Listen===
Replace this text with any specific information on online recordings that are available for a fee
''A Notre-Dame de Paris: Organ Works by Vierne'', Pierre Moreau, $0.99 [http://www.classicalarchives.com/album/3481801010721.html  MP3 Album]


==Other Resources==
==Other Resources==

Latest revision as of 21:18, 27 March 2014

from Vingt-quatre Pièces en style libre by Louis Vierne

Background

Dedicated to Albert Ribollet.

 C Major
 Two pages
 3-4 voice texture

Registration and Organs

 G.R. Fonds 8'
 Ped. Fonds 16', 8'
 Claviers accouplés. Tirasses

See the footnote in the "Notes" section at the bottom of the page. [1]

Fingering and Pedaling

 Simple, sustained pedaling
 Some manuals only
 Expression pedal

Articulation and Phrasing

"Legato playing is best suited to the organ for, by the very nature of the instrument, the evenness of all notes in the same register quite naturally calls for precisely connecting these notes one after the other."[2]


Vierne stressed to make certain that the inner voices are legato and that the pedal be played legato as well. He advised "playing the black keys 'on the very edge to facilitate, when practical, sliding onto the naturals.'"[3]

Ornamentation

Replace this text with any specific information on ornamentation

Tempo and Meter

 12/8, Moderato, dotted-quarter note = 48

Scores and Editions

Replace this text with any specific information on scores and editions

Recordings

Replace this text with any specific information on recordings

Free Online

Replace this text with any specific information on online recordings that are available free

Pay to Listen

A Notre-Dame de Paris: Organ Works by Vierne, Pierre Moreau, $0.99 MP3 Album

Other Resources

Replace this text with any information on other resources pertinent to performing this piece

Notes

  1. This footnote was entered in the "Registration and Organs" article.
  2. Louis Vierne,"Renseignements Généraux pour l'Interpretation de l'CEuvre d'Orgue de J.S. Bach," CEuvres pour ORgue de Bach (Paris: Éditions Maurice Senart, 1924) v.
  3. Rollin Smith, Louis Vierne: Organist of Notre Dame Cathedral, 571. The Complete Organ No. 3. Hillsdale, New York: Pendragon Press, 1999.

This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.