Samuel Barber: Difference between revisions

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* 23 Jan 1981, died in New York, NY
* 23 Jan 1981, died in New York, NY


His early musical styles did not embrace the experimental techniques enveloping the 20th century. He chose to write expressively, lyrically, using 19th century tonality and harmonics, as evidenced in his ''Adagio for Strings''. Later modernism increased, beginning in the 1940's. Some influence of Stravinsky can also be seen in his later music.
His early musical styles did not embrace the experimental techniques enveloping the 20th century. He chose to write expressively, lyrically, using 19th century tonality and harmonics, as evidenced in his ''Adagio for Strings''. Later modernism increased, beginning in the 1940's. Some influence of Stravinsky can also be seen in his later music. A very important American composer who also composed a few pieces for organ.


His creative period for organ began in the 1920's, and lasted, with breaks, into the 1960's.
His creative period for organ began in the 1920's, and lasted, with breaks, into the 1960's.

Latest revision as of 18:25, 1 December 2014

Synopsis

American composer

  • 9 Mar 1910, born in West Chester, PA
  • 1922 or 1923, West Chester, PA, became organist at local church
  • 1936, Europe, composed his now-famous Adagio for Strings
  • 1939-42, Philadelphia, taught composition at Curtis Institute
  • 23 Jan 1981, died in New York, NY

His early musical styles did not embrace the experimental techniques enveloping the 20th century. He chose to write expressively, lyrically, using 19th century tonality and harmonics, as evidenced in his Adagio for Strings. Later modernism increased, beginning in the 1940's. Some influence of Stravinsky can also be seen in his later music. A very important American composer who also composed a few pieces for organ.

His creative period for organ began in the 1920's, and lasted, with breaks, into the 1960's.

For details, see the Wikipedia article on Samuel Barber.

List of Organ Works

Click to sort by opus number, title, or year of composition or publication
Opus Title Year
Op. 34 Wondrous Love, variations on a shape-note hymn 1958
Op. 36 Toccata Festiva, for organ and orchestra 1960
Op. 37 Chorale Prelude on Silent Night (from Die Natali) 1960
Op. ?? To Longwood Gardens 1925 (unpub.)
Op. ?? Prelude and Fugue 1927 (unpub.)
Op. ?? Chorale for a New Organ 1936

A few choral works, with organ accompaniment, were also published.

Background and General Perspectives on Performing These Organ Works

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Registration and Organs

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See the footnote in the "Notes" section at the bottom of the page[1]

Fingering and Pedaling

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Articulation and Phrasing

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Ornamentation

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Tempo and Meter

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Scores and Editions

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Recordings

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Other Resources

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Notes

  1. This footnote was entered in the "Registration and Organs" section

This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.