Dieterich Buxtehude: Difference between revisions
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*1660-68 Helsingør | *1660-68 Helsingør | ||
*1668-1707 Lübeck | *1668-1707 Lübeck | ||
Though Danish by birth, Dieterich Buxtehude is considered a member of the North German organ school. Buxtehude showed early skill at the keyboard, probably receiving his earliest instruction from his father, Joahann. He received his first official post as organist in 1657, in Helsingburg. By 1668 Buxtehude moved to Lübeck, Germany as the successor to Franz Tunder at the Marienkirche. One of his greatest contributions there was his establishment of "Abendmusik"–evening concerts of organ and choral music held annually the five Sundays before Christmas. | |||
Buxtehude's music brought North German organ composition to its apex. He worked with many different forms, including praeludia, toccatas, and chorale preludes. In sectional forms, Buxtehude began using motives to unify and bring cohesiveness to his music. His Thirty Short Chorale Preludes are representative of the ornamented melody chorale style, which influenced Bach. All his compositions reflect his ability to combine virtuosity and drama with sensitivity and discretion.<re>Organ Composer Database [http://www.organ.byu.edu/composers/buxtehude.html]</ref> | |||
For details, see the [http://en.wikipedia.org/wiki/Dieterich_Buxtehude#Life Dietrich Buxtehude article on Wikipedia]. | For details, see the [http://en.wikipedia.org/wiki/Dieterich_Buxtehude#Life Dietrich Buxtehude article on Wikipedia]. | ||
Revision as of 15:34, 1 February 2017
Synopsis
German-Danish organist and composer
- 1637 born in Helsingborg, Skåne (then in Denmark)
- 1657-58 Helsingborg
- 1660-68 Helsingør
- 1668-1707 Lübeck
Though Danish by birth, Dieterich Buxtehude is considered a member of the North German organ school. Buxtehude showed early skill at the keyboard, probably receiving his earliest instruction from his father, Joahann. He received his first official post as organist in 1657, in Helsingburg. By 1668 Buxtehude moved to Lübeck, Germany as the successor to Franz Tunder at the Marienkirche. One of his greatest contributions there was his establishment of "Abendmusik"–evening concerts of organ and choral music held annually the five Sundays before Christmas. Buxtehude's music brought North German organ composition to its apex. He worked with many different forms, including praeludia, toccatas, and chorale preludes. In sectional forms, Buxtehude began using motives to unify and bring cohesiveness to his music. His Thirty Short Chorale Preludes are representative of the ornamented melody chorale style, which influenced Bach. All his compositions reflect his ability to combine virtuosity and drama with sensitivity and discretion.<re>Organ Composer Database [1]</ref>
For details, see the Dietrich Buxtehude article on Wikipedia.
List of Free Organ Works (BuxWV 136-76, 225)
List of Chorale-Based Works and Magnificats (BuxWV 177-224)
Background and General Perspectives on Performing Buxtehude Organ Works
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Registration and Organs
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See the footnote in the "Notes" section at the bottom of the page. [1]
Fingering and Pedaling
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Articulation and Phrasing
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Ornamentation
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Tempo and Meter
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Scores and Editions
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Recordings
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Free Online
D. Buxtehude - Prelude in E major, BuxWV 141, performed by Harold Vogel
Pay to Listen
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Other Resources
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Notes
- ↑ This footnote was entered in the "Registration and Organs" article
This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.
