Charles Ives: Difference between revisions
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==Synopsis== | ==Synopsis== | ||
American composer, organist, and teacher | |||
* | * Born in Danbury, CT on Oct. 20, 1874 | ||
* | * Was taught harmony and counterpoint from his musical father | ||
* | * 1888- 1902 became the youngest salaried organist in CT, and worked for various churches since then. | ||
* | * 1893 moved to New Haven, CT | ||
* 1893-4 became the organist at St. Thomas's Episcopal Church in New Haven. | |||
* 1894 became organist at Center Church on the Green and entered Yale where he studied with Horatio Parker | |||
* 1895 Studied with Dudley Buck | |||
* 1898 moved to New York after Graduating from Yale. Became an insurance salesman, which is how he supported himself for the rest of his life. | |||
* 1898-1900 organist in Bloomfield, New Jersey | |||
* 1900 organist at Central Presbyterian Church in New York | |||
* 1902 "resigned as a nice organist and gave up music." (quote from Ives himself) | |||
* 1908 married Harmony Twichell | |||
* 1927 stopped composing new works and dedicated himself solely to revision of his previous works. | |||
* Died in New York, NY on May 19, 1954 | |||
For details, see the [http://en.wikipedia.org/wiki/ | His most famous organ work is Variation on "America" (1891-92). | ||
He has written anthems and sacred songs for church services. Many of his works were lost because when he left his last position as organist he left some of his music there and it was thrown away. In regard to his style, "Many of the distinctive features of Ives's mature music stem from his experience as an organist, including his penchant for improvisation, virtuosic demands on performers, orchestration with layering or juxtaposition of contrasting timbres (akin to contrasting ranks of pipes on the organ's different keyboards), spatial effects (based on alternating Great and swell keyboards), and frequent use of pedal points, Fugal textures, and hymn tune elaborations, all characteristics of the organ repertoire." (Oxford Music online). | |||
For details, see the [http://en.wikipedia.org/wiki/Charles_Ives as listed in Wikipedia article Charles Ives]. | |||
==List of Organ Works== | ==List of Organ Works== | ||
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! scope="col" | Year | ! scope="col" | Year | ||
|- | |- | ||
| Op. | | Op. 131 || [[Adeste Fideles in the style of an organ Prelude]] || 1898 | ||
|- | |- | ||
| Op. | | Op. 134 || [[Canzonetta in F]] || 1893-4 | ||
|- | |- | ||
| Op. | | Op. 135 || [[Fugue in C minor]] || 1898 | ||
|- | |- | ||
| Op. | | Op. 136 || [[Fugue in Eb]] || 1898 | ||
|- | |- | ||
| Op. | | Op. 137 || [[Interludes for Hymns]] || 1898-1901 | ||
|- | |- | ||
| Op. | | Op. 140 || [[Variations on "America"]] || 1891-2 rev. in 1949 | ||
|} | |} | ||
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===Free Online=== | ===Free Online=== | ||
* [http://m.youtube.com/watch?v=R_N9PF2JwIc Variations on ''America''] | |||
* [http://youtu.be/135VB0pmAAM Variations on ''London Bridge''] | |||
===Pay to Listen=== | ===Pay to Listen=== | ||
Latest revision as of 18:57, 1 December 2014
Synopsis
American composer, organist, and teacher
- Born in Danbury, CT on Oct. 20, 1874
- Was taught harmony and counterpoint from his musical father
- 1888- 1902 became the youngest salaried organist in CT, and worked for various churches since then.
- 1893 moved to New Haven, CT
- 1893-4 became the organist at St. Thomas's Episcopal Church in New Haven.
- 1894 became organist at Center Church on the Green and entered Yale where he studied with Horatio Parker
- 1895 Studied with Dudley Buck
- 1898 moved to New York after Graduating from Yale. Became an insurance salesman, which is how he supported himself for the rest of his life.
- 1898-1900 organist in Bloomfield, New Jersey
- 1900 organist at Central Presbyterian Church in New York
- 1902 "resigned as a nice organist and gave up music." (quote from Ives himself)
- 1908 married Harmony Twichell
- 1927 stopped composing new works and dedicated himself solely to revision of his previous works.
- Died in New York, NY on May 19, 1954
His most famous organ work is Variation on "America" (1891-92). He has written anthems and sacred songs for church services. Many of his works were lost because when he left his last position as organist he left some of his music there and it was thrown away. In regard to his style, "Many of the distinctive features of Ives's mature music stem from his experience as an organist, including his penchant for improvisation, virtuosic demands on performers, orchestration with layering or juxtaposition of contrasting timbres (akin to contrasting ranks of pipes on the organ's different keyboards), spatial effects (based on alternating Great and swell keyboards), and frequent use of pedal points, Fugal textures, and hymn tune elaborations, all characteristics of the organ repertoire." (Oxford Music online).
For details, see the as listed in Wikipedia article Charles Ives.
List of Organ Works
| Opus | Title | Year |
|---|---|---|
| Op. 131 | Adeste Fideles in the style of an organ Prelude | 1898 |
| Op. 134 | Canzonetta in F | 1893-4 |
| Op. 135 | Fugue in C minor | 1898 |
| Op. 136 | Fugue in Eb | 1898 |
| Op. 137 | Interludes for Hymns | 1898-1901 |
| Op. 140 | Variations on "America" | 1891-2 rev. in 1949 |
Background and General Perspectives on Performing These Organ Works
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Registration and Organs
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See the footnote in the "Notes" section at the bottom of the page[1]
Fingering and Pedaling
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Articulation and Phrasing
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Ornamentation
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Tempo and Meter
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Scores and Editions
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Recordings
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Free Online
Pay to Listen
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Other Resources
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Notes
- ↑ This footnote was entered in the "Registration and Organs" section
This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.
