Ernst Krenek
Synopsis
Austrian, later American, composer and writer of Czech ancestry. One of the most prolific composers of the 20th century.
- 1900 born in Vienna.
- 1916 began composition study with Schreker, who emphasized counterpoint.
- 1920 followed Schreker to Berlin.
- 1922-1924 met, then married, then divorced Alma Mahler. He met and associated with most of the prominent composers of his time.
- 1938 moved to the United States, where he taught at several universities.
- 1945 became a US citizen.
- 1950's lived in Toronto, Canada, where he taught at the Royal Conservatory. His students included Milton Barnes, Lorne Betts, Samuel Dolin, Robert Erickson, Halim El-Dabh, Richard Maxfield, Will Ogdon, and George Perle.
- 1966 moved to Palm Springs, CA.
- 1991 died in Palm Springs.
He explored atonality and other modern styles, and wrote some music influenced by jazz. He explored extended tonality and counterpoint in his early works; indeed, he wrote in a wide variety of contemporary idioms, and was influenced by Berg, Bartok, Stravinsky, and Schubert, among many others. In mid-life he employed serial techniques, including 12-tone writing, and electronic media, although this mellowed somewhat during his later years.
For details, see the Wikipedia article on Ernst Krenek.
List of Organ Works
Opus | Title | Year |
---|---|---|
Op. 92 no. 1 | Organ Sonata | 1941 |
Op. 180.5 | Organologia | 1962 |
Op. 211 | 10 Choral vorspiele | 1971 |
Op. 223 | Four Winds | 1979 |
Op. ?? | Title | year |
Op. ?? | Title | year |
Background and General Perspectives on Performing These Organ Works
Replace this text with any general perspectives that do not fit under the categories listed below. (For comments on a specific piece or genre, use the list of pieces above to navigate to that page.)
Registration and Organs
Replace this text with information on registration and organs that might be applicable to the whole set of pieces
See the footnote in the "Notes" section at the bottom of the page[1]
Fingering and Pedaling
Replace this text with information on fingering and pedaling that might be applicable to the whole set of pieces
Articulation and Phrasing
Replace this text with information on articulation and phrasing that might be applicable to the whole set of pieces
Ornamentation
Replace this text with information on ornamentation that might be applicable to the whole set of pieces
Tempo and Meter
Replace this text with information on tempo and meter that might be applicable to the whole set of pieces
Scores and Editions
Replace this text with information on scores and editions that might be applicable to the whole set of pieces
Recordings
Replace this text with information on recordings
Free Online
Replace this text with information on online recordings that are available free
Pay to Listen
Replace this text with information on online recordings that are available for a fee
Other Resources
Replace this text with information on other resources that might be pertinent to performing these pieces
Notes
- ↑ This footnote was entered in the "Registration and Organs" section
This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.