Kurt Fiebig
Synopsis
German composer , church musician, and professor of music
- 1908 born in Berlin
- Fiebig received his early musical training as a choirboy in Berlin, and where he also studied theory, counterpoint, harmony, and organ. By 1925 he was an adept organist.
- 1926-1931 studied at the Berliner Akademische Hochschule für Musik.
- 1933-1936 cantor and organist at St. Elisabeth in Berlin.
- 1936 he accepted an appointment as organist in Quedlinburg, and became a lecturer at the School of Church Music, which moved to Halle/Saale in 1938.
- 1941 took over the management of the Fiebig School of Church Music in Halle / Saale.
- 1951-1968 went to Hamburg, where he worked as a church musician at the mercy church in St. Pauli.
- 1960-1980 he was a lecturer and professor of music theory and ear training at the Musikhochschule Hamburg.
- 1969-1974 worked at the Church of St. Ansgar in Langenhorn.
- 1988 died in Hamburg-Jenfeld, Germany.
Fiebig composed in a style similar to Paul Hindemith, using modal harmonies and 20th century counterpoint in church music forms. Many of his major works include organ with choir and other instruments. It is nearly impossible to read the English translation of the article about Fiebig on Wikipedia, and there is no biography on Oxford Music Online.
For details, see the Wikipedia article on Kurt Fiebig.
List of Organ Works
Opus | Title | Year |
---|---|---|
Op. ?? | Title | year |
Op. ?? | Title | year |
Op. ?? | Title | year |
Op. ?? | Title | year |
Op. ?? | Title | year |
Op. ?? | Title | year |
Op. ?? | Title | year |
Background and General Perspectives on Performing These Organ Works
Replace this text with any general perspectives that do not fit under the categories listed below. (For comments on a specific piece or genre, use the list of pieces above to navigate to that page.)
Registration and Organs
Replace this text with information on registration and organs that might be applicable to the whole set of pieces
See the footnote in the "Notes" section at the bottom of the page[1]
Fingering and Pedaling
Replace this text with information on fingering and pedaling that might be applicable to the whole set of pieces
Articulation and Phrasing
Replace this text with information on articulation and phrasing that might be applicable to the whole set of pieces
Ornamentation
Replace this text with information on ornamentation that might be applicable to the whole set of pieces
Tempo and Meter
Replace this text with information on tempo and meter that might be applicable to the whole set of pieces
Scores and Editions
Replace this text with information on scores and editions that might be applicable to the whole set of pieces
Recordings
Replace this text with information on recordings
Free Online
Replace this text with information on online recordings that are available free
Pay to Listen
Replace this text with information on online recordings that are available for a fee
Other Resources
Replace this text with information on other resources that might be pertinent to performing these pieces
Notes
- ↑ This footnote was entered in the "Registration and Organs" section
This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.